Calculating color gamut coverage
Calculating color gamut coverage
4 months ago
avsforum.com
You are throwing away 65% of your color data. 🗑️ Standard Rec709 only covers about 35% of visible colors. Even HDR only hits 75%. To actually see what your camera captured, you need to be in a Scene Referred workflow. I explain exactly how to set your Timeline Color Space to DaVinci Wide Gamut. This prevents you from destroying your image and ensures you are grading with the full spectrum of data available. Check out the full video on my YouTube channel, link in bio. | Theqazman
1:11
You are throwing away 65% of your color data. 🗑️ Standard Rec709 on…
4.5K views3 months ago
FacebookTheqazman
🎨S-Log3 / S-Gamut3.Cine Color Grading Workflow 調色步驟 I. 還原 LUT（Technical/Conversion LUT） 套用技術 LUT，將 Log 影像還原成標準的 Rec.709 色彩空間。 Apply a technical LUT to convert Log footage into the standard Rec.709 color space. II. 白平衡（White Balance） 調整色溫與色調，確保畫面自然。 Adjust the color temperature and tint to make the image look natural and skin tones accurate. III. 對比與曝光（Contrast & Tonal Range） 控制亮度範圍，包括高光、陰影、黑位、白位。 Adjust highlights, shadows, blacks, and whites to shape the overall contrast and exposure. IV. 飽和度（
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🎨S-Log3 / S-Gamut3.Cine Color Grading Workflow 調色步驟 I. 還原 …
385.4K views11 months ago
Facebook查理學攝影
Color accuracy is critical for designers. Experience high display color fidelity with Pantone validated VP2468a. We take pride that VP2468a covers 100% sRGB and Rec.709 wide color gamut to better industry-standard and produce color precisely. Check it out: https://www.viewsonic.com/in/products/lcd/VP2468A #VPSeries #ViewSonicIndia #ViewSonicMonitors #ProfessionalSeries | ViewSonic
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Color accuracy is critical for designers. Experience high displa…
144.6K viewsMay 15, 2022
FacebookViewSonic
Color Grading breakdown ⬇️ 1. I start by converting my LOG footage to DaVinci Wide Gamut using a Color Space Transform (CST). At the end of my workflow, I add another CST to convert the footage from DaVinci Wide Gamut to Rec.709 for the final output. 2. Between these two CSTs, I adjust the white balance and exposure using my first two primary nodes to create a neutral starting point. 3. Look: After setting up the primaries, I focus on creating the overall look. For this video, I used Mononodes D
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Color Grading breakdown ⬇️ 1. I start by converting my LOG foota…
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RAW vs REC709 vs Color Grade (par Kamehouse) 🎨🎬
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RAW vs REC709 vs Color Grade (par Kamehouse) 🎨🎬
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